Sheet-fed scanners are best suited for single sheets of music, since only one page can be fed into the scanner at a time.
Sheet-fed – these are scanners that are much more compact and tend to look like plastic rolling pins.Flatbeds are best suited for music books and bound collections, and usually require a connection to a laptop or desktop computer to process and transfer the digitized images. Flatbed – these are scanners that have a glass surface on which to place your music, and a lid to prevent you from being blinded by the scanner’s light.Here are three general types of scanners and the types of music they are best suited for: The type of physical music you need to convert will determine the kind of scanner you will want to work with. Scanners come in all shapes and sizes, and are sometimes part of an “all-in-one” office machine that can print, fax, make copies, and make a perfect double soy latte (I’m kidding about that last feature). Basically, you are creating a digital photo of the document, using a hardware device called a Scanner. To scan is to convert a physical document into a digital format. Let’s take a closer look at each of these steps. There are basically three steps in the conversion process: By conversion, I mean hardware and software tools used to convert your paper music into digital files that can then be read and worked on in your reading app or program of choice. In that case, you will need to learn the art of a “5th C”: Conversion. Maybe you are working with paper versions that are marked up with precious fingerings and special instructions that are more valuable than the music itself. We’ll touch on a number of popular online resources for digital sheet music in a variety of genres in a later chapter.īut perhaps you are a musician using paper sheet music that can’t be found in any digital format anywhere on the Internet. For many musicians, this will be the first place to look, and oftentimes there’s no need to bother with paper versions.
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There is a wealth of sheet-music content available on the Internet for instant download – no need to wait for the mailman to deliver to your house or favorite music store.
When it comes to the second C – Content – the type of music you work with will greatly determine the means with which you will get your music into your digital-reading computer of choice. We’ve looked at four general categories of tools that a musician will need to read music digitally, what I call the “4 C’s”: Computer, Content, Container, and Controller.
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